In Tokyo Compression, Michael Wolf presented portraits of Japanese people inside crowded Tokyo subway trains who had been pressed against a window.The commuters’ expressions were characterized in one review as “traumatised” and “woeful.”Wolf stated that some people closed their eyes or hid their faces with their hands upon realizing that they were being photographed.
One reviewer concluded that Wolf’s Architecture of Density, Transparent City, and Tokyo Compression series represented a progression from long shot to close-up. Wolf won a first prize in Daily Life in the 2009 World Press Photo competition for his Tokyo Compression work.Martin Parr selected the 2010 book as one of the 30 most influential photobooks published between 2001 and 2010.
Tokyo Compression was part of Metropolis, City Life in the Urban Age, the 2011 Noorderlicht Photofestival. One of Wolf’s pictures was used for the poster, the cover of the catalogue and all media material of the exhibition. (wiki)